Hugh Jackman owes a great deal of his enduring popularity to the muscular swagger and trademark sideburns of Wolverine.
The Australian actor first donned the Adamantium claws of the hirsute Marvel Comics superhero in the 2000 blockbuster X-Men, not long after an Olivier Award nomination for Best Actor in the National Theatre’s staging of Oklahoma!
His portrayal of singing cowboy Curly on stage was far removed from the brooding masculinity of Wolverine, but Jackman impressed fans with his physical prowess and deadpan delivery of the script’s one-liners.
He has since bulked up as the mutant warrior on four more occasions.
For this latest instalment, which has tellingly lost any mention of X-Men from the title, director James Mangold draws inspiration from a 1982 comic book storyline set in Japan to strip back the testosterone-fuelled action in favour of soul-searching and romance.
There are still spectacular set pieces including fisticuffs inside and on top of a speeding bullet train, but screenwriters Mark Bomback, Scott Frank and Christopher McQuarrie aren’t noticeably in a rush to deliver the next adrenaline-pumping thrill.
The film opens with a flashback to 1945 Nagasaki, where Logan (Jackman) is held prisoner by the Japanese.
As the bomb detonates, Logan protects one kind officer, Shingen Yashida, from the radiation blast - his mutant powers allowing him to recover almost instantly from the fireball. Many years later, Logan is living alone in the woods, haunted by the death of Jean Grey (Famke Janssen).